- David Maddox, Nashville Scene, December 21, 2007 “Best in Art”
- Jonathan Marx, The Tennessean, November 26, 2007 “Carol Mode’s ‘Mental Maps’ on View at Leu”
- Jean Hess, Art Papers, May/June 2006, “Pinkney Herbert, Whitney Leland, Carol Mode,
- Mitchell Wright”, Knoxville
- Jonathan Marx, Nashville Scene, Feb 6, 2006, “Three Paths to Abstraction”
- Mark Price, ArtUS Magazine, Issue 11, Dec – Feb 2006 “Fragile Species”
- Benjamin McKamey, Number 55 Winter 2006, “Three Paths to Abstraction”
- David Hall, Number 54 Fall 2005, “The Fragile Species”
- Mark Scala, Frist Center for Visual Art 2005 catalogue entry
- Jerry Collum, Atlanta Journal-Constitution, February 2003, “Art Seen and Heard”
- Susan Knowles, The Tennessee Historical Society, catalogue entry, 2002, “A Century of Progress: Twentieth Century Painting in Tennessee”
- Angela Wibking, The Nashville Scene, August 2002, “Painters’ Progress”
- David Hall, Art Papers, January 2002
- Tennessee State Museum & Tennessee Arts Commission, catalogue, 2001, “Best of Tennessee”
- Alan Bostick, The Tennessean, October 2001, “Best of Tennessee”
- Open Studios Press, Juried Exhibition in print, # 34, July 2001, “New American Paintings”
- SECAC/MACAA/, Juried Exhibition catalogue, Allen R. Hite Art Institute, U. of Louisville, 2000
- Angela Wibking, The Nashville Scene, February 2000, “Wide-Open Spaces”
- Alan Bostick, The Tennessean, January 2000, “Abstract 101: Cumberland show offers study in Contrasts”
- Open Studios Press, Juried Exhibition in print, # 22, July 1999, “New American Painting”
- Terri Smith, Cheekwood Museum of Art, Temporary/Contemporary publication, 1999, “Blue: Signs & Symbols”
- Paul McLean, The Nashville Scene, October 1999, “Continued Silence”
- Liz Nutter, The Tennessean, December 1999, “Time & Space influence Mode’s style”
- Beth Wilson, National Museum of Women in the Arts, Tennessee State Museum, catalogue, 1998 “Celebrating Tennessee Women Artists”
- Adrienne Outlaw, The Nashville Scene, July 1998, “It’s not loitering if you’re looking at Art”
- Alan Bostick, The Tennessean, July 1998, “Nashville Airport gets high on Art”
- Adrienne Outlaw, The Nashvlle Scene, July 1998, “Travel Mode at the Airport”
- Nashville City Search, “Between Times: The Art of Carol Mode & Emily Mode”
- Alan Bostick, The Tennessean, November 1998, “Art a la Mode”
- David Ribar, The Nashville Scene, November 1998, “Familiar Ways”
- Jean Young, Florida National Coordinator, Exhibition catalogue, 1997, “Combined Talents”
- Susan Chappell, The Nashville Banner, February 1995 “Yellow reflects artist’s interior life”
- Angela Wibking, Nashville Business Jornal, February 1995,
- Susan Knowles, The Nashville Scene, March 1995, “Personal Statements”
- Susan Chappell, The Nashville Banner, March 1994, “Tennesse Twelve: Commissions add First to Museum Collection”
- Beth Monin, The Nashville Banner, February 1989, “Behind the Mask”
- Susan Quick, The Nashville Banner, September 1988, “Free floating emotion rules Artist’s Palette”
- Christine Kreyling, The Nashville Scene, November 1987, “Live & Learn”
- Clara Hieronymus, The Tennessean, November 1987, “Exhibit showcases two women”
- Clara Hieronymus, The Tennessean, May 1985, “Billboard Art: Nashville’s Carol Mode takes Turn at the Biggest Show in Town”
- Susan Knowles, Cheekwood Museum of Art, publication, October 1985, “Transfigurations”